| GRANT'S TOMB, on Riverside Drive at 123d street, occupies a  commanding site overlooking the Hudson, and is itself a  conspicuous object in the river views. It was designed by John H. Duncan, and  is constructed of white granite from Maine, with white  marble interior. The proportions are imposing. The square structure is 90 feet on the side and 72 feet in height; the circular cupola with Ionic  columns is 70 feet in diameter, and  the dome rises 150 feet from the ground.  The apex of the monument is 28o feet above the river. From the plaza on the  south side steps 7o feet wide ascend to the portico, which has double lines of  Doric columns before the entrance, with its massive bronze doors. Above the  portico two sculptured figures by J. Massey Rhind, emblematic of Peace and War,  flank a panel, on which are inscribed the words: LET US HAVE PEACE.* The  decorative scheme provides for bronze statues and groups on the portico,  parapet and dome.               The interior plan  of Grant's Tomb is cruciform, 76 feet between the  walls. The four great piers of the rotunda carry arches whose crowns are 50 feet from the floor; the circular gallery, supported  by the arches, is 40 feet in diameter; the  dome rises 105 feet above the floor.  In the pendentives sculptured reliefs by Rhind symbolize Youth, Military Life,  Civil Life and Death. In small rooms surrounding the rotunda stands of battle  flags lend a touch of color. The hush of the vast chamber, the mellowed light  and the simplicity and dignity of all combine to give solemnity to the place.               Through a circular  opening in the floor the sarcophagus is seen in the crypt directly beneath the  center of the dome. It is of polished red porphyry from Wisconsin, and is supported  upon a pedestal of granite from Massachusetts. Upon the lid is  the name Ulysses S. Grant. The companion sarcophagus, a counterpart in material  and design, is here in compliance with an expressed wish of General Grant that  Mrs. Grant should lie by his side. This was the  concluding sentence of General Grant's letter of May 29, 1868, accepting the nomination for the Presidency. It was  the expression of his earnest desire for reconciliation between the North and  the South. The historic phrase was well chosen for perpetuation here. The Civil  War was a conflict between brothers; its termination meant the restoration of  their union. It is fitting, then, that this monument to the General, who  commanded the victorious Union armies, should have in-scribed upon it not a  record of his triumphs over the enemy, but the sentiment which he himself  uttered, significant of the end for which the battle had been fought—the  "peace" of reconciled and reunited brothers—a peace the realization  of which has made Grant's achievements and fame the heritage of a common  country.
 General Grant died  at Mount McGregor, July 23, 1885. The remains lay in state in  the New York City Hall, and were viewed  by 300,000 people before being conveyed to the Grant's Tomb at Riverside. The funeral was  the grandest pageant New York has seen. The  procession was eight miles in length, and it was estimated that an assemblage  of a million people lined the route.   |